Age, Biography and Wiki
Cathy Park Hong was born on 7 August, 1976 in Los Angeles, California, United States, is a Poet. Discover Cathy Park Hong's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 47 years old?
Popular As | N/A |
Occupation | Poet |
Age | 47 years old |
Zodiac Sign | Leo |
Born | 7 August, 1976 |
Birthday | 7 August |
Birthplace | Los Angeles, California, United States |
Nationality | United States |
We recommend you to check the complete list of Famous People born on 7 August. She is a member of famous Poet with the age 47 years old group.
Cathy Park Hong Height, Weight & Measurements
At 47 years old, Cathy Park Hong height not available right now. We will update Cathy Park Hong's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status | |
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Height | Not Available |
Weight | Not Available |
Body Measurements | Not Available |
Eye Color | Not Available |
Hair Color | Not Available |
Who Is Cathy Park Hong's Husband?
Her husband is Mores McWreath
Family | |
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Parents | Not Available |
Husband | Mores McWreath |
Sibling | Not Available |
Children | Not Available |
Cathy Park Hong Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Cathy Park Hong worth at the age of 47 years old? Cathy Park Hong’s income source is mostly from being a successful Poet. She is from United States. We have estimated Cathy Park Hong's net worth , money, salary, income, and assets.
Net Worth in 2023 | $1 Million - $5 Million |
Salary in 2023 | Under Review |
Net Worth in 2022 | Pending |
Salary in 2022 | Under Review |
House | Not Available |
Cars | Not Available |
Source of Income | Poet |
Cathy Park Hong Social Network
Timeline
When asked about the unusual language in the book, Hong commented, "As far as the language, I was reading a lot of linguistic theory at the time, particularly on this idea of Creole as a language that is in transition. French, for instance, was a Creole of Latin before it became the "official" language. English is always in transition, although the Standard version is more likely to be frozen in its glass cube. But spoken, English is a busy traffic of dialects, accents, and slang words going in and out of fashion. Slang is especially fascinating. I love outdated slang dictionaries—these words are artifacts that tell you the mindset and squeamish taboos of a certain milieu during a certain time period. I wanted the English in the book to be a hyperbole of that everyday dynamism of spoken English."
Dance Dance Revolution was Hong's second book, published in 2007 by W.W. Norton. It is a collection of poems, written in a style that encompasses "code-switching", or the mixture of several languages, such as English, Spanish, French and Korean, and spoken extremely informally with the inclusion of slang. The story takes place in an imaginary place called "The Desert", a luxurious place where people of different origins and languages mingle, causing a blend of languages that form into a dialect known in the book as "Desert Creole". The narrator of Dance Dance Revolution is the Historian, who travels to the Desert to find the woman who her father once loved. "The Guide", a character in the story who acts as the tour guide to the Historian, is that woman. Most of the poems in the book are told from The Guide's point of view, characterized by the Guide's mixture of languages and point of view, with narration of the Historian, which is characterized by the Historian's use of standard English. The Guide uses the poems to talk about her life in the Desert as well as her past during the Kwangju Revolution, when she lived in South Korea before she moved to the Desert.
Hong's books of poems include Translating Mo'um (2002), Dance Dance Revolution (2007), and Engine Empire (2012).
Her poems have appeared in A Public Space, Paris Review, Poetry, Web Conjunctions, jubilat, and Chain, among others. She has also written articles for publications like The Village Voice, The Guardian, Christian Science Monitor and New York Times Magazine. In 2002, she won a Pushcart Prize for Translating Mo'um and she won the 2006 Barnard Women Poets Prize.
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